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Nel magazzino.

Features at a glance

Rugged metal housing
Shock-mount capsule
Frequency-independent directivity
Highly insensitive to feedback
Excellent vocal projection
Hum compensating coil
Delivery includes protective pouch and MZQ 800 microphone clip
Pick-up pattern Cardioid
Frequency response (microphone) 40 to 18000 Hz
Sensitivity in free field, no load (1kHz) 2mV/Pa bei 1 kHz = -54dB (0 dB = 1V/Pa) = -74 dB (0 dB = 1V/ubar)
Nominal impedance 350 Ohm
Min. terminating impedance 1000 Ohm
Dimensions 47 x 181 mm
Weight 330 g

The e840 has been designed to deliver a clear and powerful reproduction of the singer’s voice that cuts through high on.stage instrument levels. A smooth presence boost refines the tonal tuning and produces a clear, powerful sound.
It provides rugged, durable construction and is insensitive to handling noise. The e 840 efficiently suppresses sounds emanating from outside its pick-up angle, and is fitted with a hum compensating coil for reducing electromagnetic interference.

MP-Rating: The e840 is specifically tailored for cutting through high on-stage instrument levels. Equipped with an effective presence boost, it produces a balanced, powerful sound which amazes any singer. 4 Stars!

Legend:
1 Star – still room for improvement!
2 Stars – satisfactory overall impression!
3 Stars – good price/performance value!
4 Stars – very recommendable!
5 Stars – highly recommendable!
6 Stars – unbeatable top product!

What are handheld vocal microphones?
Microphones that you hold in your hands while performing are considered as handheld vocal microphones. These microphones have to fulfil certain criteria. They need to offer high feedback-rejection and most of them feature cardioid, supercardioid or hypercardioid polar patterns. In addition they are required to provide a rugged construction, full bass and crispy highs. Their frequency response is usually tailored, because these microphones are designed for vocal pickup. Models featuring a pronounced proximity effect are frequently used. When choosing a mic, you should also make sure that wind and breath "pop" noise as well as handling noise are sufficiently suppressed.